The Following are reveiws of WISING WELL
by The SUBLIMINALS
The Subliminals
are a band from the Midwest who, like their name implies, permeate
your unconscious and create an intangible yet enticing aural mode.
They accomplish this in an R.E.M.-like way; in fact, the comparisons
to Michael Stipe and co. don't stop here. Lead singer/songwriter
Tom Hepburn's vocals and writing style evoke mid-80's R.E.M. (had
Mike Mills rather that Stipe sung lead), and while Hepburn's writing
doesn't quite have the range of Stipe's, his voice is a good deal
richer than Mills'. On both ballad and up-tempo tunes, The Subliminals
deftly convey emotion, spiking their guitar-laden music with tight,
silky harmonies and choruses so catchy that you'll find yourself
nodding more often than a bobbing head doll. Every one of the
12 songs on Wishing Well are excellent, and the best deserve classic
status, like the sweet "Wishing Well"; the ripping "Growin Up
Too Fast"; the warm, jangly "Mable"; the angry "Paper Dolls";
the ultra moody "King Without A Crown" and the lullaby "Little
One" on which a father lovingly gives advice to his son. There
are a lot bands which, although quite talented, are forever caught
in the web of obscurity. Let's hope The Subliminals attract the
ear of a prescient major label, because they deserve to overcome.
David Bash
LA's Entertainment Today
Chicago rules!!! No doubt about
it. There's some great power pop being made in "the windy city."
The Subliminals benefit on this effort from the helping production
hand of Jeff Murphy of The Shoes. Another great asset is Tom Hepburn,
a fine vocalist and an extraordinary guitar player. Tom also wrote
all 12 songs. There's some great Beatle-esque harmonies, jangly
Byrdsy guitar and terrific power chording thoughout. The band
sometimes sounds like REM, which is an achievement in itself.
The title track is the kind of song major labels die for. The
vocal arrangements are genuinely stunning, especially on tracks
like "Breaking Out". The band is equally amazing on ballads and
rockers. "King Without A Crown" gets my vote for best song here
--- a gentle power ballad that would have fit well on The Posies
"Dear 23" and the equal, harmony-wise, to anything by The Hollies.
Mature lyrics, complex arrangements and some truly great musicianship
make this a band to keep an eye on and album to grab a hold of.
Don Krider
Power Pop News
Consider The Subliminals to be
the latest installment in the city of Chicago's rich pop heritage.
Benefiting from some great songwriting, solid playing, and the
production of Shoes' Jeff Murphy, The Subliminals can be considered
as students of the Tommy Keene approach to pop - endeavor to make
every track an anthem. The Subliminals, like Keene, accomplish
this through both sheer power and by their genuine approach. It's
hard not to believe in every note played and every word sung.
Although a harder pop sound is usually favored, The Subliminals
have no desire to abandon a more delicate approach. It's this
that makes Wishing Well such a fine accomplishment. The opening
Wishing Well gives some insight into the pop smarts at work here.
A very pretty melody on the verses sharply contrasts with a more
dire sound on the chorus to great effect, coming across as a combining
of two separate tracks greater than the sum of their parts. Breaking
Out is equally compelling in it's arrangement. Here, the swirling
guitars have a faint acoustic accompaniment and a reverb-heavy
vocal that make for a great dream-like quality. Then we have King
Without A Crown, which has a hard electric sound buried behind
a somber, but lovely, acoustic melody. Imagination gives the vocal
arrangement it's turn in the spotlight. The harmonies are great
on this acoustic track. Mabel continues in pure pop territory
and This Time is classic power pop all the way, with a really
tuneful yet biting guitar part. On the more aggressive side, Paper
Dolls works as a great hard rock tune along with Hatred, which
features some fine vocal arranging on the chorus. Whether choosing
to tear speakers apart as on Growin' Up Too Fast or to showcase
a more delicate side as on the lovely Little One, The Subliminals
let their songs speak for themselves. Fortunately, they say plenty
of good things.
Claudio Sossi
Shake It Up
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